Полунощное. Сияние Шамбалы.(At midnight. Light of the Shambhala.) - Nicholas Roerich / WikiArt

At first, no one heard the gunmen.
Sixty voices seesawed in the song
of tongues. Sixty bodies gripped 

scalps, collars, the lean pile
of industrial carpet. Praising
the Lord is hard work. But that night 

I lived at home. Safe. A mark
against my faith, according to Jin.
Age twelve and an authority over me. 

By estimation the church coffers
lost thousands that night. My
mother surrendered her wedding ring. 

Jin reported, “They almost made
your mom strip. To find more.
But she was crying so hard they 

pitied her.” Jin had been there,
and today, in the children’s room,
where we perched between a play

kitchen and changing station,
she claimed her faith ran clearer,
deeper than any grown-up’s. That

I should have been there. That
my mother should have offered
me up to the gunmen and with 

a bright, firm face, declared, “Lord,
have your way.” 

Esther Lin

Brazilian born Esther Lin is an undocumented poet and the author of Cold Thief Place (Alice James Books, 2025) and The Ghost Wife (Poetry Society of America, 2018), and co-editor of Here to Stay: Poetry and Prose from the Undocumented Diaspora (HarperCollins, 2024). Lin is a critic at large for Poetry Northwest, and co-organize the Undocupoets, which promotes the work of undocumented poets and raises consciousness about the structural barriers that they face in the literary community. She was a Writing Fellow at the Fine Arts Work Center, Provincetown, a Wallace Stegner Fellow at Stanford University and her work has been supported by Cité Internationale,, the Poetry Society of America, and Poets House, among other organizations. She won a Pushcart Prize in 2024, and was featured in Best New Poets 2022.