My mother is unlearning the way to walk;
feels her hand with her other hand,
then drags her cheeks flat in the mirror
to smooth her frightened face.
Her mother asks Are you disappointed?
but means groceries and bruised fruit, rain,
the film about men killing men for men,
which got such good reviews.
She slips a brick of blue ice between her brace and back,
trying to dull the twinge of life
going on without her.
Fewer gladiators died in the ring than you might think:
That would have ruined the show. These were celebrities.
Most died elsewhere, commonly, just going about their lives.
And so, when a trainwreck caught fire in 1918
it killed 56 or 61 or 86 performers.
Five elephants were scorched alive
howling in their cages.
The train had stopped for maintenance,
flagmen waving at the dark.
The other train was empty,
just a sleeping engineer
because phantom rides grow dull:
all track and moving night,
moths diving headfirst at the headlight
pushing through the dark.
He didn’t see the flares
because our dreams are limitless.
With dawn they saw their twisted luck:
They’d wrecked inside a boneyard.
Sometimes you take what little you can get.
The dead people were easy;
many from nowhere or hired days before
and so their graves were nameless.
But this life gives us,
the way cameras vex the dead,
problems we hadn’t thought of.
And so the question became what to do with the elephants:
They lay like stunted pyres in their place by twisted spur.
One man says to cut them into pieces.
Another says to keep them burning
till they are swept away.
Instead, they start to dig,
making hills that rise above them.
Let me tell you this:
Men come with rope to pull the piles.
They heave backward in ordered bursts.
The loops of rope burn lines
into their hands.
It looks from far like a performance.
They cover the elephants with hills they made,
chests pressed blue by time like glaciers.
Are you not entertained?
I remember my mother filling bowls like this, pulling grapes from stems.
To die well, the gladiators thought, we must never ask for mercy.
And so: Tired shovel men tamp smooth the ground,
pat the earth up and down
as if their shovels too
are saying Yes.
Is This Not Why You Are Here?
He didn’t see the flares / because our dreams are limitless.