Brought to you by the Guernica/PEN Flash Series

I told him how he made my brother eat his shit. Took his tractor, roosters, dog, and his identical drums. I told him I dreamed my brother didn’t die. That he’s in a hotel in Jarabacoa and he just left a bar. Flirted with a ghost, ate a pineapple and turned his shirt inside out so that he could forget last night. He once considered taking a bride but couldn’t find a theme for the wedding. He meant to, but then didn’t see the use. Some people like ideas, others like motion, some like one woman, others roam. Don’t apologize now, man, just measure my bone for accuracy and tell me what time it is, I told him. There’s only one ride left to the capital. One bar of soap left, one towel. That’s how fiction comes to life, you unlucky fucker. Why tell the truth? I gave the man a handshake. What other way could we show our sadness, how noise turns inside of us? How much of our body is in our moaning? Her pussy was clean, he suddenly says, she wore her favorite shoes at night, glittering silver and red. If you see her, tell her your brother’s last words were, I do not need a storm but I need your chorus mujer, then added when he reached the last block, I’ll write my name here. A story is always written in the last breath. Although we like to believe other drafts will come.

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Check out more fiction from the Guernica/PEN Flash Series:

Ethel Rohan: Goodnight Nobody

Ru Freeman: Siege

Randa Jarrar: A Sailor

Vaddey Ratner: The Cripple’s Last Dance

Earl Lovelace: A Story in Which I Look Good

Reginald Dwayne Betts: Travellin’ Man

Nathalie Handal

Nathalie Handal has lived in four continents, is the author of 10 award winning books, translated into over 15 languages, including Life in a Country Album, and The Republics, winner of the Virginia Faulkner Award for Excellence in Writing and the Arab American Book Award. Handal is the recipient of awards from the PEN Foundation, Lannan Foundation, Fondazione di Venezia, Centro Andaluz de las Letras, and Africa Institute. She is professor at New York University-AD, and writes the column, “The City and the Writer” for Words without Borders