Guernica

Donate
  • Home
  • Fiction
  • Essay
  • Poetry
  • Interviews
  • Apostrophe
  • Back Draft
  • Spotlights
  • Cutting Room
Explore… Search
Search for:
Fiction Essay Poetry Interviews Apostrophe Back Draft Spotlights Cutting Room
image of a total solar eclipse

Threshold

By Scott Broker
Silhouette of a crowd of people wielding swords against a fiery background, as if to suggest war.

Once Upon a Time

By Natsume Sōseki, translated from Chinese by Ryan Choi
A fly sits on edge of a white flower's petal against a blurry green background.

Kingdom

By Brian Gyamfi

My Mother’s Stalker

By K-Ming Chang

Shiva Rahbaran

Shiva Rahbaran studied literature and political science at the University of Düsseldorf (Germany) and obtained her DPhil in English literature on the works of Nicholas Mosley from the University of Oxford (UK). She is the author of several articles and books on Iranian cinema as well as Persian and English literature. Her books include The Paradox of Freedom: A study of the life and writings of Nicholas Mosley and, most recently, Iranian Cinema Uncensored. For her short story “Massoumeh,” she won the 2016 Wasafiri New Writing Prize. She is currently working on a novel on an Iranian family during the time of the revolution.
Essay Lit World

A Partnership with God

By Shiva Rahbaran February 2, 2018
The novelist Nicholas Mosley saw humanity’s salvation at the confluence of love, faith, and technology.
Interview Lit World

Amir Hassan Cheheltan: Myth About Myths

By Shiva Rahbaran November 1, 2011
The Iranian writer on the tension between artists and intellectuals, the power of mysticism, and the long-lasting effects of the 1979 revolution.
Interview Lit World

Simin Behbahāni: The Lioness of Iran

By Shiva Rahbaran October 1, 2011
Iran’s most prominent poet, a two-time Nobel nominee, on the greatest epic in history, the nightmare of censorship, and why her country will eventually achieve democracy.
Donate
About Contact Shop Submissions Events Advertise

Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

© 2004-2025 Guernica. All Rights Reserved.

We are using cookies to give you the best experience on our website.

You can find out more about which cookies we are using or switch them off in .

Guernica
Powered by  GDPR Cookie Compliance
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.