When we die,
the cemetery keeper tires
of surveilling our graves’ windows.

We trace the memory of rain —

but it dances in the distance
where the lilies quake the earth
until its dreams unwind.

When my grandfather burned his cave,
the demons came out to meet him
with wedding preparations.

And as the dream verged on a nightmare,
he danced; my mother’s tail
bowing to the nudeness of silence.

I have resigned myself to hymns,
unlike my grandfather;
winter villages ignite in his heart
every bakery, a long way
from the sounds of hope.

Our roof embraces a crew
of honorable dead people.

Near the bends of light
my grandmother briefly abandons her modesty
to bake the past’s dough
for a Reader of Nostalgia,
who takes everything she wants from her
yet prescribes she swallow
more sadness
for her grandchildren’s sake.

That’s why, grandmother,
don’t approach the catacombs of hope;
we are but its dissidents.

Sara Elkamel

Sara Elkamel is a poet and journalist living between Cairo and NYC. She holds an MA in arts journalism from Columbia University and an MFA in poetry from New York University. Her poems have appeared in Poetry Magazine, The Yale Review, MQR, Four Way Review, The Cincinnati Review, The Adroit Journal, Poet Lore, Poetry London, Best New Poets 2020, Best of the Net 2020, among others. She is the author of the chapbook “Field of No Justice” (African Poetry Book Fund & Akashic Books, 2021).

Mona Kareem

Mona Kareem is an author of three poetry collections and a translator of Ra’ad Abdulqadir, Ashraf Fayadh, and Octavia Butler, among others.