Taisosai Hokushu, Moon; White Hare in Snow (1819). The Metropolitan Museum of Art

Listen:

Earlier, a hare sunk her haunches
into the snow

and kept still long enough to vanish.

When she became fog,
you were at the throat of a frozen river

and saw, somehow, yourself unbloom.

You know what it means to slink
into another noun,

you know how to pull down a tree
with only your teeth,

jaws snapping roots until fingernails
can pick away the clay.

You know what it means
to unhome a body,

to collapse a pillar that may have, one day,
become a tower.

This will always be your first line
of defense:

clipping your longings until you billow
and reed,

loosening your reflection from winter ice,

staying hare still
until there are no trees left at all.

Alycia Pirmohamed

Alycia Pirmohamed is currently a PhD student at the University of Edinburgh. Her forthcoming chapbook, Faces that Fled the Wind, was selected by Camille Rankine for the 2018 BOAAT Press Chapbook Prize, and she is a previous winner of the 92Y/Discovery Poetry Contest, Ploughshares’ Emerging Writer’s Contest in poetry, Adroit Djanikian Scholars program, and Gulf Coast Prize in poetry. Alycia received an MFA from the University of Oregon.